Stoneware Glazes 1180°C - 1300°C: Page 13

Stoneware classic glazes offer the depth, sophistication and reliability to artists working from mid-range to high-fire temperatures. Many glazes will break over textures, revealing secondary colors and shades. Used alone, stoneware glazes produce beautiful color variations. One coat will allow the clay body to show through the glaze and two to three coats deeper the color. The choice of clay body,...

Stoneware classic glazes offer the depth, sophistication and reliability to artists working from mid-range to high-fire temperatures. Many glazes will break over textures, revealing secondary colors and shades. Used alone, stoneware glazes produce beautiful color variations. One coat will allow the clay body to show through the glaze and two to three coats deeper the color. The choice of clay body,...

Stoneware crystal glazes are designed to expand upon the surface with dazzling burts of color. Fired results will vary based on ware’s orientation. Crystals will settle to the bottom of the jar and will need a good mixing prior to initial use. Re-stir between each coat. Stir with palette knife or other unpainted tool. Avoid placing crystals near the bottom third of a vertical piece as they may...

Magma was developed to create a rough, cratered surface. The thicker the application, the more textured the surface will be. Magma can be directly applied to bisqueware or in combination with other mid-range glazes. The amount of dimension and cratering created with these glazes is directly a result of how thick the glaze is applied. A thinner application will produce a less dimensional surface with...

Stoneware matte glazes range from solid shades to those that create interesting color variations as they move and break. Application thinkness is the key to making mattes work for you. 1300°C (2nd image): Riptide is a satin-matte, opaque, variegated turquoise/green glaze that breaks over texture and develops a glossy finish where thick or pooling. 1300°C (2nd image): Glaze shifts grey...

Stoneware classic glazes offer the depth, sophistication and reliability to artists working from mid-range to high-fire temperatures. Many glazes will break over textures, revealing secondary colors and shades. Used alone, stoneware glazes produce beautiful color variations. One coat will allow the clay body to show through the glaze and two to three coats deeper the color. The choice of clay body,...

Stoneware matte glazes range from solid shades to those that create interesting color variations as they move and break. Application thinkness is the key to making mattes work for you. 1230°C (1st image): Alabaster is a semi-opaque white soft matte glaze that breaks over texture. 1300°C (2nd image): Color darkens to variegated light gray/purple. Tip: When using this glaze, you will...

Stoneware crystal glazes are designed to expand upon the surface with dazzling bursts of color. Fired results will vary based on ware’s orientation. Crystals will settle to the bottom of the jar and will need a good mixing prior to initial use. Re-stir between each coat. Stir with palette knife or other unpainted tool. Avoid placing crystals near the bottom third of a vertical piece as they may...

Stoneware matte glazes range from solid shades to those that create interesting color variations as they move and break. Application thinkness is the key to making mattes work for you. 1230°C (1st image): Storm Gray is designed to produce a medium gray to white variegation depending on application. One coat will produce a medium gray matte finish with little white variegation. Subsequent coats...

This 100% mixable celadon glaze is a deep translucent gray that pools and accents textured ware like the ancient glazes it is created to imitate. Like the beautiful ancient glazes they are modeled after, the AMACO Celadon glazes are glossy, transparent, and pool beautifully to add vivid accents to textured and carved surfaces. These playful celadons come in many colors and are 100% mixable- great...

1230°C (1st image): Aurora Green produces a mottled aqua gloss glaze with light brown and large black crystals. As the crystals melt, bursts of blue and brown will develop. 1300°C (2nd image): Color changes to a variegated pink/blue/green. Crystals become less pronounced. Tip: SW-108 Green Tea is the base glaze. For a lighter crystal effect, you may try applying two coats of SW-108 Green...

Stoneware crystal glazes are designed to expand upon the surface with dazzling bursts of color. Fired results will vary based on ware’s orientation. Crystals will settle to the bottom of the jar and will need a good mixing prior to initial use. Re-stir between each coat. Stir with palette knife or other unpainted tool. Avoid placing crystals near the bottom third of a vertical piece as they may...

Stoneware crystal glazes are designed to expand upon the surface with dazzling bursts of color. Fired results will vary based on ware’s orientation. Crystals will settle to the bottom of the jar and will need a good mixing prior to initial use. Re-stir between each coat. Stir with palette knife or other unpainted tool. Avoid placing crystals near the bottom third of a vertical piece as they may...

Stoneware matte glazes range from solid shades to those that create interesting color variations as they move and break. Application thickness is the key to making mattes work for you. We recommend firing our matte glazes to cone 6 to produce a satin matte finish. 1230°C (1st image): Satin Patina is a rich tonal matte green patina glaze. The variation of the glaze is dependent on application....

Stoneware classic glazes offer the depth, sophistication and reliability to artists working from mid-range to high-fire temperatures. Many glazes will break over textures, revealing secondary colors and shades. Used alone, stoneware glazes produce beautiful color variations. One coat will allow the clay body to show through the glaze and two to three coats deeper the color. The choice of clay body,...